1 for five weeks in April-May 1968, one of the biggest songs of the year. "See the tree, how big it's grown / But friend, it hasn't been too long, it wasn't big. The simpering melody, the tearjerking lyrics: God, how I hated it. I sat transfixed in my car as it played, as if I were in the midst of an accident. 1 when the countdown got to mid-April 1968: "Honey," by Bobby Goldsboro. 1 books at home - I knew what was going to be No. As an aficionado of the Billboard charts - I've got a bunch of the Billboard Top 40 and No. While many people feel the song is a touching tribute to the idea of appreciating those we love while they are still with us, others have blasted the storyline as being schmaltzy and often deride such lyrics as “She was always young at heart/Kinda dumb and kinda smart” or “One day while I was not at home/While she was there and all alone/The angels came.” These last lines prompted one Internet wag to ask, “Did this babe die or did she leave with the Hell’s Angels?”īobby Goldsboro has his own take on the song, one that is no doubt shared by most people: “Actually, what it is, very simply, is just a guy remembering little things that happened while his wife was alive.Every day, at the end of almost every hour, XM's '60s channel plays the top six hits of a corresponding week from that decade. Half a century later, though, “Honey” often appears on “worst songs of all times” lists, along with such past ridiculed recordings as “MacArthur Park,” “Convoy” and “Disco Duck.” So, why, like Rodney Dangerfield, does “Honey” get no respect from some folks? Songwriter Russell’s biggest success has since been recorded by country royalty (Eddie Arnold, Roger Miller, Tammy Wynette, Lynn Anderson), mainstreamers (Dean Martin, Patti Page), and even some soul stars (Four Tops, Aaron Neville). In three weeks, Goldsboro’s version rocketed to the top of the Billboard charts, where it remained at Number One for five weeks and became his signature song-and biggest single ever. When Shane’s version bombed, Goldsboro rushed into a Nashville studio and nailed “Honey” on the first take. Goldsboro wasn’t impressed with Shane’s version and later admitted, “It didn’t really thrill me all that much because it was so overdone, overproduced, lots of drums and things.”īut Goldsboro felt that Russell’s tune had the potential to return him to the hit charts with a different, simpler approach. Russell had written “Honey” for ex-Kingston Trio member Bob Shane. One such artist was Roy Orbison, who would later hire Goldsboro in the early 1960s as part of his backup band.Īs a solo artist, Goldsboro later signed with United Artists Records, and, beginning with the Top-10 song “See the Funny Little Clown” early in 1964, racked up half a dozen Top-40 discs before spending 1967 without a single hit and finding his career on the wane.īobby Russell was one of Goldsboro’s pals. The Webs often backed up musicians who drifted through town. But music also drew his attention, and Goldsboro formed a rock band called the Webs. From that serendipitous observation came the inspiration to write the world’s best-selling song of 1968, recorded by Bobby Goldsboro.īorn in Marianna, Fla., in 1941, Goldsboro spent his teen years in Dothan, Ala., where he excelled in baseball at Dothan High and dreamt of a career in the major league. Nashville songwriter Bobby Russell one day just happened to notice how tall a tree planted in his front yard had grown since it was a sapling. Many music fans think “Honey” is a true story.
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